A Thousand Thoughts Decline Away...

Sold out BOTH weekends while I was on standby starting at 10 am for 3 hours. I had a hotel booked and everything too, and now I look like a sucker :(

I need 100 beers.

http://www.youtube.com/watch?v=TdafluUWFnU

Sorry for the delay here folks… it was a horrible idea to promise the rest of this list on New Year’s Eve. I would have posted it last week but then I got CancerAIDS aka tonsillitis so that delayed things even further. Hey at least I’m gonna finish this, unlike my top 20 TV shows of 2010 list, where I wrote up half of the last 10 but it was longer than War & Peace at that point and I couldn’t finish. *sad trombone*

Also some folks (aka my friend Mitch) have been hating on how I seem to criticize a bunch of the songs and bands that I put on this list anyway… to that I say sooooorrry. Not everything’s perfect and I’m just commentating on what works and what doesn’t. Don’t fret the last batch here is basically all around awesome.

Anyway…

20) James Blake - “The Wilhelm Scream” from James Blake (indie/electronic/dubstep)

So this dude is apparently the savior of electronic music (even though Radiohead are still doing their thang). He sounds like one of The Righteous Brothers, though his vocals are much more haunting. This song especially lingers in one’s head probably because of the repeating lyrics and how it just builds and builds to display one simple point driven by one repeating melody. I decided to feature the live version of the song because it’s even better than the OG recorded one as the reverb here is out of its world and the guitar flourishes are a nice added touch.

19) Givers - “Up, Up, Up” from In Light (indie/indie pop/afro pop)

Yup another band I found out about because of the wonderful FIFA 12 soundtrack, as it has a nice Afro-pop vibe ala Vampire Weekend. Yup, in theory this band is something to laugh at since it’s a bunch of white kids from Louisiana playing wannabe black music, but the beats are creative enough that it all works out OK in the end. The female singer in particular is pretty damn good, but I think this song benefits most from some groovy bass guitar that keeps everything bouncy the entire time. It’s called “Up, Up, Up” for a reason, so props to the band for prioritizing the rhythm and percussion above all else. The album as a whole is pretty damn good too, so I’m hoping these guys get big in the future.

18) Drake - “Take Care (featuring Rhianna)/Marvin’s Room/Buried Alive (Interlude)” from Take Care (hip-hop/rap/indie)

Yup, I’m definitely cheating here by counting two songs from Take Care as one, but I really can’t listen to one without the other since they compliment each other so well since they follow each other sequencing wise. But these songs are most indicative as to why this is probably the best hip-hop album of the year, as Drake isn’t afraid to express his most existential worries over these two tracks that make me think of him as some sort of hip hop lounge singer torn between moving on from his past and dwelling in the moment over both fame and the same ol’ bullshit that people in their 20’s most commonly deal with today.

“Take Care” features Rhianna (who seemed to be on every song in existence in 2011) doing a great job of complimenting a worn out Drake lamenting over people not getting over their previous damaging relationships (his included), backed by some great pounding percussion and a poignant sample from a great remixed piece from Gil Scott Heron. This particularly hopeful track flows seamlessly into the extremely dark “Marvin’s Room” centered around a Drunk call from Drake and lyrics full of (irrational) jealousy, rage and envy that most young adults go through when letting go of a previous damaging relationship. There is nothing positive about this track, just honest scorn and selfish resentment,  common feelings for any jaded young man to deal with. The authenticity present on both tracks is why Drake succeeds here and no amount of typical hip-hip machismo and bravado (which to be fair is present on a number of other tracks on the album) can displace this honesty.

17) Battles - “Ice Cream” from Glossdrop (indie/experimental rock)

This is up here because the weird keyboard riff is one of the most infectious things I heard all year and the music video is stimulating as all hell. I really have no clue what the song is about (hell the lyrics aren’t in English most of the time since the guest singer on this track is from Chile), but I do know that it’s catchy as fuck and was the perfect song for the summer. Anyway, enjoy the karate and the hot hipster chicks here.

16) Nicki Minaj - “Super Bass” from Pink Friday (hip-hop/pop)

I don’t know if this song is technically a guilty pleasure or not, but I do know that Nicki spits hot fire here and the chorus is massive. I got to see her twice this year thanks to my cushy arena job, and it was pretty crazy to see Ms. Minaj progress as a live artist in literally a two month span. Anyway, I appreciate the fact that she can legitimately rap, sing pretty damn well and be a pretty good feminist role model for all them young gals out there. But damn, props to this song for having that awesome beating heart breakdown near the end, as it really does make things go “boom ba doom boom, boom ba doom boom beh” then. I listened to this track way too much this year.

15) Thrice - “Words in the Water” from Major/Minor (alternative/post-hardcore)

If you look at my Last.fm statistics, you will see that Thrice is my number one most listened to artist by a mile. Yet the sad part is that I soured on the band after the bland Beggars, and didn’t think they’d be able to re-win my love with another straight up rock/blues record. Well they actually decided to return to their anthemic form on Major/Minor, highlighted by the moving “Words in the Water.” For those of you who do not know, every member of the band unfortunately either lost a parent in the past year or saw one get stricken with cancer. Obviously this affected their musical output, as each track on the album seems to be about embracing the moment and enjoying the time you still have left on this Earth (though this also may be about how the band was going to inevitably break up after its recording, which did seem to happen since singer Dustin Kensrue has now accepted a job as a church leader in the OC). This track especially focuses on how helpless one can feel when stricken with such an affliction (thank you drowning metaphor), but the chorus and outro are so damn triumphant that you can’t help but feel hopeful and in control despite these wretched circumstances. This album may be Thrice’s swan song, but I’m glad they left us with yet another record filled with an emphasis on authenticity and existential hope that should stay relevant for years to come.

And got damn, this live performance I posted here is powerful as hell.

14) Bon Iver - “Calgary” from Bon Iver, Bon Iver (indie/indie folk/80s/indie rock)

Welp, here’s the first track featured from my personal favorite artist of the last couple years. Justin Vernon’s project has seen alot more attention given to it in the last year thanks to his help in writing Kanye West’s amazing last album and the fact that his first album was a folk masterpiece, so there were some pretty heavy expectations regarding how his next album would sound like. Well he decided to break out a pretty epic-folk/80s/alt-country opus that was still somehow dominated by his famous serene falsetto. He combined sounds that definitely didn’t seem like they should go together with some of the most esoteric and possibly incomprehensible lyrics around and somehow still succeeded at making one of the most emotionally affecting albums of the year. “Calgary” in particular is pretty confusing lyrically, but it sure does build into quite the rockin’ track, thanks to its layers of brass instruments and double drums. Once the so-called “chorus” breaks in the middle of the song, with that driving guitar riff, you can’t help but wanna scream along to it.

I’m featuring the live version of the song on the Jools Holland show here because it’s awesome to see each random instrument— from the baritone sax solo to the cool black dude who plays the weird stones/triangle — make the song the layered, moving beast that it is.

13) Skrillex - “First of the Year (Equinox)” from More Monsters and Sprites (dubstep/house/dance/brostep)

Welp, I finally decided to embrace the beast that is dubstep (in Skrillex’s case, brostep) for all the crazy Transformers morphing sound that it is. What helped especially was this catchy layered track that starts with a simple reggae melody and evolves into a dense piece full of heavy breakdowns and sonic shifts. In theory this stuff is just remixed metalcore music (since Sonny Moore aka Skrillex comes from that background), but it works surprisingly well as dance/house music, so I guess I have to dig it. It also helps to be drunk as fuck in Vegas and hearing this stuff for the first time with the speakers pointed right at your balls, meaning you are forced to feel the rhythm shaking you to the very core. Just from enjoying this track I found that Skrillex made a bunch of other songs — from “In For The Kill” by La Roux to “Cinema” by Benny Benassi — way better than they ever should be so I reckon that means the dude has to have some talent. Here’s to hoping the dude is more than a novelty act and can keep me entertained for years to come.

12) Fleet Foxes - “Helplessness Blues” from Helplessness Blues (indie/folk)

Robin Peckhold has one of the best voices around and this 5 minute epic may be the best demonstration of his talents just yet. The driving beat is ridiculously catchy and the way it all culminates at the 2:48 mark is a thing of beauty that rivals the vocal melodies of the Beach Boys and Simon and Garfunkel. Just like the previous album from this Washington band, the lyrics are primarly pastoral, but the deeper subtext points at a need to get away from the newfound fame the band’s success and acclaim has brought to Peckhold, as he ponders a future where he just chills in a country setting that is free of the demands of urban society today. Hence the song title and why he feels stuck in the machinations of daily American living. I find Fleet Foxes to be at their best when they deliver their most epic songs (while their more folky, acoustic numbers bore me), and the title track here definitely satisfies my desire to see this band deliver songs that tell stories that no other band can.

11) Crystal Castles (featuring Robert Smith) - “Not in Love” from II (indie/dance/electro-pop/gothic)

Technically this track was released in 2010, but I’m allowing it here since it was released as a single in April 2011. Like I said in my previous Song of the Day post, I’m not a big Crystal Castles fan (sing like a normal person dammit!), but I am a huge Robert Smith fan, and their cover of this 80s classic is freaking perfect. From the verses wrought in despair, to the massive dance-house chorus, the track is a total success and I still haven’t gotten sick of it 5 months from where I first heard it. Its weird how this track can be perfectly fine as a gothic piece that no one would care to know about or a giant dance track that would be just at home at EDC or something.

K let us continue. Yup, the first 10 did indeed feature alot of pop, but I’ll try to regain my street/indie/metal cred in the next couple of segments (though there is still some more pop woops?). Onward ho!

30) Bad Rabbits - “Neverland” from Stick Up Kids (indie/hip hop/funk/rock/pop punk) 

This was my summer jam and I still love the song and video to death. I wish these dudes could have released a full length album, because I did burn through their debut EP pretty damn fast. It’s all good though, because if they can continue to crank out  their unique blend of funky pop-punk in new innovative ways, I’ll be happy. And it makes me happy to see a band that doesn’t feature a bunch of pretty white dudes tear it up for a change.

Man this was a big year for Puppets huh?

29) Swedish House Mafia - “Save the World” from One Night Stand (dance/house)

Yup, this was the year I finally stopped worrying and learned to love house music. The club/rave scene isn’t really my thing, but anything can be my thing if I’m partying hard enough, so this track is great since it allows me to do that AND enjoy the type of anthemic music I particularly dig. The vocals are pretty cheesy, but the backing melodies are great and the bass is pushed to 11 here, so you can’t help but bob you head and “Woah” along with it. Plus the video features a bunch of dogs saving the world tonight, so its kinda hard to be a hater after seeing this.

28) The Lonely Island (featuring Santigold)- “After Party” from Turtleneck & Chain (comedy/hip hop)

Once again, The Lonely Island has made a fucking amazing album front to back and their songs could easily translate into legitimate hip-hop club bangers. Especially here on this oddly deep track featuring rapper Santigold, where our speaker finds himself tiring of his hard partying life and proceeds on a crazy fucking adventure. I’d say this is the unofficial follow up to “Like A Boss” but even better, especially because of Santigold’s contribution. I’d talk more about what happens on this track, but I ain’t going to run the risk of ruining some of the awesome jokes hidden within.

27) TV on the Radio - “Will Do” from Nine Types of Light (indie/alternative)

TV on the Radio have been loved by many for years now, and I’ve only kinda liked them as it usually takes me awhile to dig their new releases. But this track immediately struck a chord with me, as it is a sweet mellow take on a loving relationship, most likely written on the road far from the other. I especially love the singer’s wail right before the last chorus.

26) The Receiving End of Sirens - “Weightless Underwater” (post-hardcore/screamo/alternative)

Ho boy, was I happy when I found out that the broken up TREOS—the band I figured would one day take over the alternative rock scene but broke up thanks to one of the singer/guitarists knocking up his girlfriend— came together and recorded a new track for a re-release of their seminal album Between the Heart and the Synapse. The band again displays their trademark ability to be heavy as fuck with some perfectly executed inter-weaving vocal melodies and massive choruses. I would give my left nut for these guys to reunite full time in the future, but alas I guess I’ll just have to enjoy this and their other two excellent albums (note: this was apparently released late last year, but its late enough that I’ll allow it here).

25) Grouplove - “Tounge Tied” from Never Trust A Happy Song (indie/indie rock)

I just talked about this track in a recent Song of the Day post, and my sentiments about it still hold true: everything about this track is great except for the god awful female verse. I won’t allow that to ruin my appreciation for this song as a whole, with its awesome bouncing bass riff and wailing vocals (that kind of remind me of the Used and Taking Back Sunday) that just seem like one big climax the whole time. And I’m still not bothered by the fact that the new iTouch commercial which features this song is being played every 10 minutes on TV.

24) Moving Mountains - “Tired Tiger” from Waves (post-hardcore/alternative/post-rock/screamo)

The best track on an uneven record from one of the better young post-rock bands around. Apparently the band changed its direction greatly and stopped writing a bunch of 8 minute long epics, instead choosing to condense everything in a more palpable, warped tour friendly 3 1/2 minutes. This track somehow still succeeds at being very cinematic in such a short span. The singer is still the weakest element of the van and when he tries belting out the “ohhhhs” at the end, it kinda sounds cheesy, but everything else going on is fucking great (especially the violin that accompanies everything). If you dig Thrice alot, I’m sure you’ll love this.

23) Amon Amarth - “War of the Gods” from Surtur Rising (viking metal/swedish metal)

My favorite viking metal band around did not have an album on par with the epic Twilight of the Thunder God, but there were a number of highlights, such as the lead track seen here. This band just has a knack for making the catchiest riffs around and the breakdown at 2:55 featuring that cracking snare drum and ripping solo just serve to make this one of my favorite tracks from these guys. And does anyone think the french horn part at 2:18 sounds alot like the one in “Stare at the Sun” by Thrice (hey another Thrice reference woah… you’ll hear from them later don’t fret)?

22) College (featuring Electric Youth) - “A Real Hero” From Drive OST (indie/electro-pop/80s throwback)

Well this is just the most 80s song ever created. Usually I don’t dig stuff like this, but its featured to strong effect in my favorite movie of 2011, Drive. Serving as the hero’s theme throughout the movie, it’s made all the more powerful by the closing images and how it plays out over the credits. Regardless of whether you’ve seen the movie or not, that weird bassy keyboard melody just drills into your head and will stay there for days. The Drive soundtrack as a whole is pretty dang good, but this is definitely the highlight.

21) Blut Aus Nord - “Epitome VI” from 777 - Sect(s) (black metal/sludge metal/post-rock)

Here’s the most brutal song of the year, which features a crushing guitar riff, triggered drums and some great electronic atmospheric accompaniment. I also recently reflected on this song in a Song of the Day post a couple weeks back and I’ve only learned to enjoy the track from this brutal French musician even more, as well as the rest of the two albums the dude released this year. If you ever wanted a mashup of Isis, Behemoth and Gojira, this is probably as close as you’ll get.

K the next two parts will come out tomorrow guys, just in time for the end of 2011 AS WE KNOW IT!

Boom list time. I’m gonna release my top albums and TV shows in the next week too, but for now, I’ll just post my 40 favorite songs of the year and I guarantee that YOU, my humble, smart and oh so beautiful reader, will dig at least half of them.  Of course, I originally just wanted to post my top 10, but there were so many songs I dug for an extended part of the year that I couldn’t help but share all of those that I found to be muy importante. There’s alot of diversity here— everything from Metal to Pop to Indie to Post-rock to Dubstep— and some of these songs are of a style that you probably can’t take too seriously (yup Viking Metal, “Niggas in Paris” and LMFAO are on here), while at other times are often as deep as the fuckin’ ocean (ohai Bon Iver). I actually was lucky enough to see alot of these bands thanks to my cushy job at a certain arena in Southern California, so this may explain why I have more mainstream stuff on here than usual. Oh and I’ve posted a couple of these tracks over the past year, but I’m pretty sure I haven’t for most of em. Hopefully this all makes for a pretty gnarly mix CD or 2.

Oh and special thanks to my Last.fm profile for helping me keep track of what I listened to most this past year.

40) The National - “Exile Vilify” from Portal 2 Soundtrack (indie/alternative)

I’m leading off here with one of my fav bands around today who sadly did not release an album this year, but did contribute this nifty single in 2011 (and had their music featured in Warrior, one of the best movies of 2011). This track is the perfect compliment to one of the best video games of the year, as it once again features the band’s trademark lackadaisical mellow take on the themes of alienation and isolation (“You’ve got sucker’s luck, have you given up?”), which are never all that despairing thanks to singer Matt Berninger’s soothing baritone and the nice orchestral backing present here.

39) Mogwai- “San Pedro” from Hardcore Will Never Die, But You Will (Post-rock)

I will admit that I suck for not listening to the newer releases of one of the best post-rock bands ever more than I actually do. I blame that on how Mr. Beast was just so damn good, that I can’t help but hold everything else they release up to that high standard. This track is one of the better hard-rock songs from the band, as they have moved further and further away from their electronic heavy sounds of the past. The video is pretty cool… “San Pedro” means St. Peter and if he looks at your face, that means you’re good as dead. Fitting, considering the title of the album.

38) Pint Shot Riot - “Twisted Soul” from Spell It Out (alternative/punk)

Here’s the first of a couple tracks that I discovered on the excellent FIFA 12 soundtrack. It rocks pretty damn hard and I think I like it more than I should because I keep thinking the singer is saying “You know this is BRITTTTTTISH” in the chorus. Whatevs, I like it better that way. Plus the breakdown at 2:40 is effin’ great thanks to how those couple of notes just seem to hang and sustain in the air for awhile.

37) Lil Wayne - “Six Foot Seven Foot” from Tha Carter IV (rap)

This is primarily on here because Lil Wayne spouts off a contender for rhyme of the year at 2:37. I shant ruin it for those of you who have somehow not heard the best track off of the somewhat disappointing Tha Carter IV. Regardless, Weezy’s flow is sick here and the backing sample is great. I had the pleasure of seeing him live in April and this song definitely brought down the house.

36) Mariachi El Bronx - “Revolution Girls” from Mariachi El Bronx II (Mariachi/Mexican music by white people)

No longer just a novelty act, Mariachi El Bronx has received a good amount of critical acclaim for the band’s contemporary take on mariachi music featuring vocals in English and super catchy melodies. This track serves as an excellent first single for their new album because singer Matt Caughthran has never sounded so great and it’s just a damn happy song. Props to the band for still working in references to Mexican political plights of the past in their love songs.

35) Britney Spears (featuring Nicki Minaj and Ke$ha) - “Till The World Ends (The Femme Fatale Remix)” from Femme Fatale (pop/house) 

Yup feel free to give me as much shit as possible for featuring a Britney Spears and Ke$ha song on here, but this track is pretty damn good in spite of them. The Nicki Minaj verse is hot fiyah and the beat and chorus are fucking massive, so don’t lie and say you don’t dig it. I saw Britney Spears live earlier this year as well, and it definitely was depressing watching her trying to shake it like she was 18 again, but she did end the night on a high note with this track. Thank god for house music and connections with top music producers, cause otherwise her career would be donezo.

34) The Horrible Crowes - “Beyond the Hurricane” from Elsie (rock/punk/alternative/Bruce Springsteen)

Though I did not really enjoy the debut solo album from The Gaslight Anthem frontman Brian Fallon, I can say that I loved this track and its accompanying video. All about a man dealing with his inner demons and trying to better himself for those he loves, Fallon succeeds once more at telling a great story with rich characterization that once again shows why he may be the heir apparent to Bruce Springesteen, who mastered that style years ago. Plus he throws in some trademark “whoas” and those are always fun.

33) LMFAO - “Party Rock Anthem” from Sorry for Party Rocking (Pop/Party Rock)

So this is apparently the second highest selling song of the year and the video has freakin’ 336,000,000 views on Youtube— LMFAO must be doing something right then. It’s very easy to hate on these guys since their lyrics are a joke, they look like a joke, and they definitely don’t have any serious songs or anything important to say, but so what? I saw these guys live at Powerhouse and they definitely succeeded at getting the party started. I somehow still haven’t gotten sick of this song even though it’s been featured on every tv show, commercial and radio station in America. This dance-pop style has gotten extremely popular this year, but I guess these guys get credit for making something with such strong replay value (as opposed to the hokey Pitbull/Ne-yo track “Give Me Everything” that I listened to a billion times in the summer then promptly got mad everytime i heard it come on once August came around).

32) Deafheaven - “Violet” from Roads to Judah (Shoegaze/Black Metal)

K time to get all dark and brutal for a second. I’m surprised more metal bands haven’t combined their sound with that of the shoegaze genre (made popular by the Cure and Smashing Pumpkins), since it makes for a darker, more eerie atmosphere and sound. Throw in some heavy blast-beats like this band does in the middle of their epic 12-minute track, and it makes everything all the more affecting and emotive, in a way that most metal bands aren’t these days. This is a great debut album from this San Fransisco band signed to Deathwish Inc, which is run by Jacob Bannon of Converge, my favorite aggressive band of all time, and I expect more brutal things from these guys in the future. If Converge guitarist and famed producer Kurt Ballou engineers their next album, all bets are off for how awesome these guys can get.

31) Foster the People - “Pumped Up Kicks” from Torches (alternative)

K I’m pretty damn burnt out on this song and band, but my last.fm tells me that I listened to this track a shitload of times just like the rest of the world, and the main bass riff is still pretty groovy. I had a love-hate relationship from the start with this group, as I did not like the track upon first listen, but then came to dig it after a few more listens. It’s still pretty crazy that this song got so big with such a dark chorus (kids getting shot over shoes? woah), but I can’t say it wasn’t catchy. Still though, this band sucked when they performed on Saturday Night Live and they only have one other good song that I know of “Call it What You Want”, though their whiny singer still is a hindrance to the group.